Crossing noises are those unwanted little “blips” that you hear when transitioning from one note to another. They are most common when moving from one hand to the other however they can also occur within one hand. They are the result of improper technique or the inaccurate timing of note transitions.

Let’s take a common transition of D to E or conversely, E to D. If you hear a “blip” in between, it’s probably a Low A or Low G that’s sneaking in. Play this over several times and listen carefully. If you hear a “blip” it needs to be eliminated. The note that you’re transitioning to needs to be “opened” or played just a fraction ahead of the note you’re transitioning from.

When you detect a crossing noise, practice the particular transition over and over to properly coordinate the movement of fingers and to eliminate any crossing noise.

Another area where you may encounter crossing noises would be the transition from Low A or B to C. A recent favorite of mine is when transitioning from E to F with a G grace note on F. To be absolutely correct with this, you need to move from E to High G and then drop that finger to land on F. Otherwise you get a crossing noise. This has otherwise been dubbed “That Flippy Thing” in a previous post.

Here’s the magic medicine. Listen! You don’t need me to point out crossing noises. If you dare tell me you can’t hear crossing noises, I’m going to tell you that you’re not paying attention. If you do hear crossing noises, I’ll guarantee that it’s not restricted to one particular tune. In one way or another they will appear across everything that you play. The remedy is easy. Break it down. Transition slowly and correctly. Gradually build up your speed. If you hear the “blip” STOP! Fix it (three times in a row perfectly) and then move on.

Playing bagpipes is easy, if you pay attention and if you fix what needs fixing!

Today’s picture? Full size GHB chanter with an interesting stamp. Any information on J.R. Christie would be helpful.